Nordic TAG 2012: Archaeologies in Northern Europe

I recently returned from a week in Oulu, Finland, where I attended the Nordic Theoretical Archaeology Group (TAG) conference.  A UK version of TAG originated in 1979 and has met yearly afterward (for more on the conference’s roots, Colin Renfrew details the origins of TAG, and a 2008 TAG session details its lineage), with Nordic TAG conferences held beginning in 2001 and American TAG meetings since 2008.  TAG conferences have encouraged discussions on broadly defined “theoretical archaeology,” an expansive umbrella term that encourages novel uses of philosophy and theory that creatively frame materiality, scholarship, and archaeology itself.

Like its British and American counterparts, the Nordic version of TAG is broadly conceived, including a host of straightforward archaeological case studies as well as more abstract theory-driven deconstructions of materiality.  In that sense it is not really all that much different from the British and American versions of TAG, and a vast range of the papers would be perfectly at home in an SHA conference as well.  Most of the Nordic TAG attendees were Scandinavians working with northern European data, and the case studies reached from distant prehistory to contemporary materiality.  Much of the conference would be familiar to archaeologists outside the Nordic world, but some modest distinctions about northern European archaeologies were underscored at Nordic TAG.

Seventeenth-century ceramics from Tornio (courtesy Risto Nurmi)

Historical archaeology is defined myriad ways in northern Europe (when the discipline is even recognized at all), and it encompasses truly interdisciplinary methods and questions and a breadth of theoretical frameworks.  Some of its distinction revolves around the material data featured in Nordic archaeologies, which routinely focus on architecture, space, and idiosyncratic things.  Tiina Aikkas, for instance, gave a paper on sieidi stones, sacrificial sites at which indigenous Sami left offerings of animals, metal, or alcohol to ensure hunt success (for more details, see her co-authored paper in Norwegian Archaeological Review).  Aikkas outlined complex material, spatial, and ritual analysis to ambitiously examine the full breadth of sounds, actions, odors, and material practices associated with these sacred stone sites that date as early as the 11th century AD, with use well through the historic period if not the present.  The paper included zooarchaeological, ethnographic, and GIS data that would be familiar in any archaeological study, casting these rituals as evidence of the inseparable relationships between Sami ritual, religion, materiality, and subsistence.  Lots of Nordic TAG papers examined a comparably broad range of data and defined materiality in its broadest senses, and this is increasingly what archaeology looks like in many places.

Some of the distinction in northern European archaeology revolves around its theoretical ambitions.  For instance, Bjornar Olsen’s session “What About the Things Themselves?” advanced the absurdly clever proposition that material culture studies are not compelled to include humans as a compulsory dimension of the analysis; that is, instead of focusing on the relationship between humans and things, can archaeologists understand things unto themselves?  Olsen punctuated his ontologically novel contribution to the session with a stream of oddly aesthetic images of discarded things and vacant places (for similar work, compare the thoughtful Ruin Memories project).  Northern European archaeologists tend to read theory very broadly and borrow from a vast range of challenging and often-creative philosophical foundations when they focus on theory, so TAG always expands my bibliography.  Still, much of northern European archaeology is firmly rooted in material description, highly focused research questions, and dense scientific methodology that does not devote much if any of its energy to explicit theorizing.

In the foreground, the Keminmaa Old St. Michael’s Church was built between 1519-21. Besides being a fascinating medieval building, it holds one of the most interesting spectacles in northern Finland: when Lutheran priest Nikolaus Rungius died in 1629 he was buried under the church and is on display in the church floor today. The church in the background, the new Saint Michael’s, was built in 1827.

The handful of northern Europeans who call themselves historic archaeologists sometimes struggle to define the discipline’s essential questions.  That struggle may be familiar to many North American historical archaeologists as well:  do we study a chronological period (since 1492, for instance)?; is our focus the transition to modernity?; is historical archaeology properly an archaeology of capitalism?; and so on.  Some of the battle is simply establishing the scholarly value of the “recent” past, which in Europe includes much of the period from 1700 onward.  For instance, with my Finnish colleagues Titta Kallio-Seppa and Timo Ylimaunu, I presented work on an 1822 creamware assemblage in Oulu, and such 18th and 19th-century ceramic papers would be absolutely commonplace in Atlantic World historical archaeology conferences.  However, Nordics often lump the period into 500 undifferentiated years of modernity; in some cases archaeologists have not devoted much if any time to artifacts from the last half-millennium; and relatively few northern European archaeologists have studied the 19th and 20th centuries (despite a rather rich contemporary archaeology scholarship).  Many of the mass-produced goods found on northern European sites after the early 19th century are more familiar to North American archaeologists than they are to northern European scholars, but marketing, trade embargoes, and cultural distinctions shaped northern European consumption significantly, so the assemblages still have some concrete differences from the well-studied Anglo world.  The same material things in the Nordic world may not always mean the same thing they meant in places like North America, and some of our conventional questions on things like cost status or consumer display are not especially useful in the distant reaches of Finland.

This police officer lords over the Oulu Marketplace.

The most interesting and common question I was asked at this conference was some variation on “Why are you doing this archaeology here?”  That question is asked persistently, curiously, and without much self-consciousness by colleagues who rarely understand that they sit atop astoundingly rich post-1500 sites (and often curated collections) that can be woven into their existing medieval analyses of emergent globalization in exceptionally powerful ways.  Most European colleagues are open to the possibilities and keen to share their data and local sites, though, and in many places very creative scholars have built a strong foundation for historical archaeology that they are happy to share.

CRM archaeologists and academics alike recognize that much of our contemporary practice revolves around efforts to fund our research, and our Nordic colleagues share many of those same challenges.  There are precious few European academics who might be called historical archaeologists, and most Nordic countries have only a few archaeology departments and a handful of positions covering any period, so academic historical archaeology jobs are especially rare.  Salvage projects in northern Europe overwhelmingly focus on sites dating earlier than the 18th century depending on specific national preservation codes, so there is not much compliance archaeology on “late” historic sites at all.  A vast range of Nordic scholars based in museums and state agencies work alongside post-doctoral researchers on a persistent enterprising search for extended funding, and Nordic TAG included continual hallway conversations about research partnerships, collaborations, and joint grant applications.  Despite the bleak North American job market, the shrinking opportunities for contract firms, and the demoralizing cuts to agencies like Parks Canada, there is still a well-established historical archaeology community in North America and a relatively firm footing in the academy and preservation law.  The UK likewise has an exceptionally productive historical archaeology community, and while they face many of the same challenges we deal with in the US the discipline has a strong foundation.

Nordic historical archaeology is in an early growth moment much like Atlantic World historical archaeology witnessed a half-century ago, and northern European historical archaeologists are actively building the discipline’s regional and national foundations.  This has included cementing international research partnerships, so there are some truly exciting possibilities for North Americans who want to expand their work to very new places.  Many of us in North America cannot contemplate European projects for concrete financial reasons, but increasingly more North American universities are supportive of faculty and students conducting international research and have modest but consequential “seed” grant funds for scholars beginning such projects; in my case, for instance, there was financial support for my travel to the Nordic world that I could never secure for work in my own hometown.  Those seed grants actually did produce more research opportunities for me and my students, so do not be too rapidly intimidated by the challenges of international historical archaeology research.  As Nordic TAG confirmed for me, there is a lot of interesting work beyond our narrow North American circles and lots of possibilities to borrow from it or even make a contribution to the discipline’s scholarly growth.

This statement came before I had arrived.

A Mixed Methods Approach to Digital Heritage in Rosewood, Florida

The use of digital technologies for cultural heritage work is a rapidly expanding field of research and engagement (Kalay et al 2007). The array of digital techniques presents a bewildering array of possibilities for the heritage professional. The Virtual Rosewood Research Project (VRRP) presents one approach employing multiple technologies for public outreach allowing researchers to present, manage, and disseminate both tangible and intangible heritage. In this post, I discuss the use of archaeological visualization and digital storytelling for collaborative purposes in Rosewood, Florida.

The use of virtual world environments to represent archaeological contexts encompasses hundreds of projects around the world and plans for a peer-reviewed multimedia journal are in the works (Bawaya 2010). Early work in the 1990s focused on creating images and video representing prehistoric and monumental sites. In the last decade research has moved towards visualization, or inferring complete contexts from the incomplete data recovered during archaeological research (Barcelo 2002).

Digital storytelling has its roots in a series of workshops in Los Angeles during the early 1990s (Lambert 2009). These workshops proved so successful that a Center for Digital Storytelling (CDS) was created shortly thereafter and remains the national center for working with digital media to tell personal stories (Lambert 2009:1-10). The impulse to share personal lives continues to characterize digital storytelling.

The Development and Destruction of Rosewood

Rosewood was settled in the mid-nineteenth century by a diverse group of people, and experienced rapid economic growth following the Civil War. Rosewood’s population was majority African American by the early twentieth century. By 1910, Rosewood’s population was eclipsed by the neighboring community of Sumner following the construction of a large sawmill complex approximately one mile west of Rosewood.

On New Year’s Day 1923, a white woman in Sumner fabricated a black assailant to hide her extramarital affair with a white man. A white mob formed and headed for Rosewood, encountering the home of Sam Carter. They interrogated Carter by hanging him from a tree by the neck, and when it seemed the mob might release him, a man leveled his gun at Carter’s face and ended the day with Carter’s lynching.

Two days later, whites in Sumner heard (or fabricated) rumors that the black assailant was with Sylvester Carrier. Carrier’s distrust of whites was well-known and before the night was out, two whites lay dead on his doorstep after attempting to set fire to his family’s home. By the sixth of January three other blacks had been brutally murdered and the white mob, now numbering in the hundreds, began the systematic burning of every black-owned home and building in Rosewood. A train was brought through town during this time to pick up women and children, who were hiding in the nearby swamps following the gun battle at the Carrier home. The train took dozens of families to towns like Otter Creek, Archer, and Gainesville where descendants live to this day.

Image of Rosewood’s Destruction (Literary Digest – January 4, 1923)

My decision to investigate digital heritage was motivated by specific questions posed to me by descendants of Rosewood’s community. These began with deceptively simple questions such as “can you show me where my grandfather’s house was located?” These early engagements ranged towards more complex conversations centering on the exploration of new methods for “getting our story” to wider and younger audiences.

Workflow for Creating Virtual Rosewood

The first step in visualizing Rosewood involved reconstructing property boundaries by reviewing thousands of historic deeds in the local courthouse. There are no maps, directories, or other information about Rosewood’s spatial layout. Therefore, geographic information systems (GIS) were used to reconstruct the metes and bounds on hundreds of historic deeds dating between 1870 and 1930. Historic census, aerial photographs, oral histories, and preliminary archaeological investigations were added to the GIS. The resulting dataset  provides the spatial template for the virtual world environment.

Virtual Reconstruction of Carter Home & Blacksmith Shop

High cost and lack of training has, until recently, limited the use of 3D programs for archaeological visualization. Companies are creating educational licensing programs. For instance, Autodesk, the parent company for 3DS Max and AutoCAD, began offering free educational licenses in 2010 at their educational site. The structures were created using 3DS Max and are available as a virtual world environment via a web-based format developed with a game engine. Game engines are used to create video games, and are increasingly used by archaeologists to create interactive virtual world environments of archaeological contexts (Rua and Alvito 2011). Unity 3D was used to export the 3DS Max models to the web. The result is two-plus square miles of virtual land, which re-creates the spatial layout of Rosewood as it existed in 1922. Interpretive signs throughout the virtual world environment tell the story of Rosewood’s development and destruction.

Virtual Rosewood Museum in Second Life

In addition to the web-based virtual world environment, a Virtual Rosewood museum is available in the popular online world of Second Life. The basic design is that of a repurposed, historic building converted to a local history museum. Visitors explore the history of Rosewood through museum-like displays. The Virtual Rosewood Museum continues to attract students, educators, and the general public. In December 2011 I led a two-hour tour to the Virtual Pioneers, a group of educators who regularly meet in Second Life to explore the intersection of online worlds and social justice education.

Virtual Rosewood Museum in Second Life

Visitors to the Virtual Rosewood Museum in Second Life can also watch a 25 minute video exploring Rosewood’s history, which is also available at the VRRP website.

Digital Storytelling and Rosewood’s Heritage

Digital stories can be created with relatively little investment and freely delivered using the internet, making research immediately accessible to more people. The VRRP includes a 26 minute digital documentary (link) exploring the development and destruction of Rosewood, the lives of those who survived through oral histories, and an exploration of the various methods used to document the town.

A particularly touching moment in the documentary occurs when Robie Mortin describes meeting her father for the first time following the 1923 race riot. Mortin’s father recognized early on how the accusation of rape might turn into large scale violence. He sent Robie, who was seven at the time, to a nearby town with her older sister. After hearing about the destruction of Rosewood days later, and failing to meet their father, the two girls assumed the worst. They eventually made their way to Miami working as migrant laborers. Robie Mortin shares what happened one morning when she went to a newly constructed church.

There was a ditch that separated Riviera Beach from the black neighborhood. There was a bridge across it, and there was a Hearst Chapel AME Church there. They had built that church right on our side of the ditch. So, we, my sister and I, went to church, and would you believe our daddy was there, and we didn’t know where he was, hadn’t seen him in months. We didn’t even know he was still alive, and there he was in the front of that church.” – Robie Mortin (2009)

The author conducting oral history interview with Robie Mortin

The ability of digital storytelling to share touching moments like these with a wide audience is an important aspect of social justice education. Robie Mortin’s words, delivered in her soft, ninety-four year-old voice, touch the viewer in an unmistakable way. The emotional impact of her story demonstrates the trials, and in this one example, happy surprises which make a life scared by trauma bearable.

Discussion and Concluding Thoughts

The creation of a website for my research into Rosewood’s past – including a data warehouse with census records and oral history transcripts -  has led to many unexpected engagements. This includes journalists, interested members of the public, and members of Rosewood’s multifaceted descendant communities. While the newspaper articles bring increased traffic to the VRRP website, it is the other engagements which demonstrate the collaborative potentials of new media for heritage. For instance, one property owner in the area where Rosewood was located contacted me after watching the digital documentary. His property is home to the African American cemetery in operation during Rosewood’s occupation. While allowing descendants to visit their ancestors’ graves, he has kept the property closed to academics after previous researchers  misrepresented his involvement in their projects. At present, myself and Dr. James Davidson of the University of Florida are documenting the property and its value to various descendant communities.

Documenting Rosewood’s African American Cemetery

The creation of new media represents a pedagogical toolkit. The new forms of knowledge produced by the synthesis between historical research and new media accomplish a number of things. It highlights the experiences of descendants and other interested parties, provides tools for critically engaging with history and media, and offers researchers new techniques for crafting the way historical knowledge is accessed and interpreted by others. In many ways, new media offers a new set of tools, ones not found in the master’s house (Lourde 1984:110-113) and potentially very liberating. New media is a constellation of approaches and technologies not regulated by gatekeepers and tradition – although certainly in dialogue with them. Obvious and sizable obstacles to full participation include the manifestation of a digital divide as well as the (re)inscription of negative identity politics (Nakamura 2008) within virtual spaces. Only time will tell if this optimistic viewpoint will produce transformative fruit or if mass standardization will assert itself and crush individual creativity and expression. I have chosen to be optimistic, and hope that the Virtual Rosewood Research Site motivates others to do the same.

References Cited

  • Barcelo, Juan A.
    • 2002    Virtual Archaeology and Artificial Intelligence. In Virtual Archaeology, Franco Nicolucci, editor, pp. 21-28. ArchaeoPress, Oxford.
  • Baway, Michael
    • 2010    Virtual Archaeologists Recreate Parts of Ancient Worlds. Science 327(5962):140-1.
  • Kalay, Yehuda E., Thomas Kvan, and Janice Affleck
    • 2007    New Media and Cultural Heritage. Routledge, New York.
  • Lambert, Joe
    • 2009    Digital Storytelling: Capturing Lives, Creating Community. Digital Diner Press, Berkeley, CA.
  • Lourde, Audre
    • 1984    Sister Outsider: Essay and Speeches. Crossing Press, Freedom, CA.

Friday Links: What’s Happening in Historical Archaeology

This week’s photo was discovered via the Mount Vernon’s Mystery Midden Facebook Page, where a great conversation has ensued about the objects! The photo is of a collection of mugs excavated from a midden site located at George Washington’s Mount Vernon. The site dates from ca 1735-1775. Ware types seen are the Manganese Mottled earthenware, Nottingham stoneware, White Salt-glazed stoneware, White Slip-dipped stoneware, and William Roger’s stoneware. The photo itself was taken by Karen Price, who serves as Historic Mount Vernon’s Photography Intern (learn more about Mt. Vernon’s Internship opportunities here). Thanks to Mount Vernon and their Mystery Midden for letting us share this photo with you!

Headlines

The First Colony Foundation has new historical evidence that may point to the location of Walter Raleigh’s lost colony.

Archaeologists are digging at the site of 18th century Fort Richmond.

Archaeologists at Monticello have discovered two possible slave quarter sites.

Call for Papers, Manuscripts

The Journal of African Diaspora Archaeology and Heritage is looking for submissions.

The Computer Applications in Archaeology (CAA) North America Chapter is hosting an Archaeology THATCamp on Friday, August 10, 2012, and are looking for participants for the digitally-oriented “un” conference.

The Society for Historical Archaeology (that’s us!) has officially opened the Call for Papers for SHA 2013 in Leicester, England.

Publications

The first issue of The Journal of African Diaspora Archaeology and Heritage is now out.

New on Facebook and Twitter

tDAR, the Digital Archaeological Record, is now on Twitter.

The Arkansas Archaeological Society is now on Facebook.

The Blogosphere

The Fairfield Foundation discusses their recent flood in the lab, and asks for contributions to protect their archaeological resources and public programming during this disaster.

There’s a new blog in town: check out “Archaeology on the Alley”, a look at excavations being carried out in Philadelphia.

Read about the reanalysis of a religious medal found at the Santa Barbara Presidio by the Santa Barbara Trust for Historic Preservation Blog.

The Archaeology Dude discusses recent discovery of the Snowdun Vulcan Iron and Machine Works in Pennsylvania.