SHA 2013: Leicester, Curry Capital!

The Call for Papers for the SHA 2013 conference in Leicester opens this week, and further information will be posted on the SHA website and this blog in due course. In addition to the stimulating conference programme, SHA 2013 will provide opportunities to sample Leicester’s cuisine, which is as diverse as the city itself. A later blog post will focus on the region’s home-grown food and drink, but this week we take a look at what has fast become Britain’s national dish (or one of several, at any rate): the curry.

Indian takeaway

Britain’s place at the centre of a global empire ensured that the spices and cooking techniques characteristic of a curry, and the people with skills and experience required to cook one, found their way from South Asia to Europe. Britain’s first dedicated curry house, the Hindostanee Coffee House, was opened by Dean Mahomed near Portman Square in central London in 1809, although curries catering to the tastes of returning colonial administrators and their families were served in coffee houses and at home since at least the middle of the eighteenth century.

Curry, along with all things Indian, grew in popularity during the nineteenth century; Queen Victoria, as the Empress of India, built an Indian-themed state room at her home on the Isle of Wight, Osborne House. Culinary tastes among the middle classes moved on, but in the major British ports, including London, Liverpool and Cardiff, former Indian sailors opened cafes, mainly catering for fellow Asians.

Immigration from South Asia after the Second World War, in particular refugees from the conflicts between India and Pakistan after partition and independence in 1947, war in the Sylhet region of Bangladesh in 1971, and the expulsion of Asians from Uganda by Idi Amin in 1972, brought new permanent communities to Britain. Leicester was one destination for South Asians displaced from their homes by war or economic need; the city’s textile factories and post-war rebuilding schemes provided work and opportunities to settle. Some of the new arrivals entered the catering trade, and a distinctive British Asian cuisine has evolved.

One of the most famous sketches of the British Asian comedy troupe Goodness Gracious Me saw the group ‘going out for an English‘ on a Friday night in Mumbai. Having got ‘tanked up on lassis‘, they mispronounce the waiter’s name, ask for the blandest food on the menu, and over-order bread rolls and chips. The sketch gently mocks the stereotype of the British visiting Indian restaurants after a night in the pub, ordering aggressively spicy curries and too many portions of rice and naan. We’ve all done it. The three-minute sketch, originally broadcast over ten years ago, has now entered popular culture, and is frequently cited in academic papers and book chapters exploring the place of food and reflexive humour in representations of South Asians in modern Britain.

The 2013 conference committee has collated some of our favourite places to eat and drink in Leicester; to set your mouth watering we have added them to this map, and will continue to update it during the run-up to the conference.

[CC BY-NC-SA 2.0], via Flickr

SHA 2013: New Walk, Leicester

New Walk and De Montfort Square, Leicester

Once you get to Leicester for the SHA Conference in January 2013, you are most likely to travel between the university, and the shops, bars and hotels of the city centre, by taking a stroll down New Walk. New Walk isn’t really all that new; in 1785 the Leicester Corporation decided to lay out a pedestrian walkway which would link the town with the racecourse (now Victoria Park, which was laid out in 1883). This promenade still serves its original function, the passage of pedestrians unimpeded by vehicles to this day (although you might see the odd transgressive cyclist).

The New Walk Museum

The New Walk Museum

The New Walk Museum and Art Gallery

Halfway down the New Walk, this museum and art gallery was originally built as a Nonconformist school in 1836, and became a museum in 1849, when the Leicester Literary and Philosophical Society presented its collections to the city. The museum combines an ongoing series of temporary exhibitions with its own permanent collections of Picasso ceramics, art from the 16th to 21st centuries, natural history, and dinosaurs! Entry to the New Walk Museum is free, and the opening hours and access information can be found here.

Victoria Park

Having been the location of Leicester’s first racecourse (now relocated to Oadby, on the outskirts of the city), Victoria Park was laid out in 1883; a set of green lungs for the rapidly expanding city. Victoria Park is home to a number of festivities during the summer, including the Caribbean Carnival, the Summer Sundae music festival, and Leicester Pride. Throughout the year, Victoria Park acts as the University’s back garden, a venue for sporting endeavour, on the football and rugby pitches and tennis courts, and a place of reflection at Sir Edwin Lutyenswar memorial of 1923.

Victoria Park. It might look like this in January

1. [CC-BY-SA-2.0], via Wikimedia Commons

2. [CC BY-NC-SA 2.0], via Flickr

3. [CC BY 2.0], via Flickr

SHA 2013: Proposed sessions seek presenters

The preliminary Call for Papers for the SHA 2013 conference in Leicester, UK only opened a couple of weeks ago – and already session proposals are being planned.You’ll find some of the first proposed sessions below; if you would like to participate in any of them, please get in touch with the session organisers.

Advertising your session proposal widely is the best way to attract a diverse line-up. You are very welcome to advertise your session on this blog, on the conference event page on Facebook, and sending a tweet with the hashtag #SHA2013 will earn you a retweet from SHA to its more than 1,300 followers on Twitter. Do feel free to make use of email lists too; the Histarch and CHAT (Contemporary and Historical Archaeology in Theory) lists are the obvious ones, but do consider others, such as the World Archaeological Congress for a global audience, or Britarch, if you would like to attract local speakers. The Council for British Archaeology maintains a register of many (mostly European-centred) email lists – you’re bound to know others specific to your specialism.

Here are some proposed sessions:

Archaeology of Reform/Archaeology as Reform

Megan Springate, University of Maryland

Loosely defined, reform sites are places associated with the main purpose of reforming or bettering those they serve, or society at large. They include schools, churches, protest sites, women’s holiday houses, homes of reformers, etc. This session explores similarities and differences across various types of reform sites and through time and discusses the various ways that reform processes and experiences manifest in the archaeological record. This session also explores how the archaeology of reform sites can itself be considered reformative in the context of today’s society.

Megan Springate is a Doctoral student in the Department of Anthropology, University of Maryland. Email mes@umd.edu

Reconsidering Archaeologies of Creativity

Timothy Scarlett, Michigan Technological University

Human creativity is fundamental to understanding the transformations brought about by both globalization and immigration, the dual themes of the 2012 conference. People act and react creatively to these processes, in mundane and grand ways, individually and collectively. Thus, creativity intertwines and entangles its processes with all human interactions. The process and contexts of creative action, as well as the concept of creativity itself, can be understood from psychological, behavioral, social, humanistic, and philosophical perspectives. Individual persons and groups derive creativity from the cultural improvisations of social interactions surrounding economic, religious, technological, recreational, and familial activities; movement through spaces and among places; rituals; and the shifting practices of daily life. While archaeologists have produced numerous studies of human’s creative responses, we have given less attention to creativity itself, particularly in those archaeologies of the modern world. Scholars in the sciences and humanities have been able to describe some of the processes and contexts of creative action in the human experience, but those insights have not lead to creativity’s rationalization or “corporate domestication.”

I welcome archaeological studies that critically explore creativity from different perspectives, including:

- the social construction of creative process

- contexts of creative action, like work and play

- archaeological perspectives on creativity and the brain

- creativity and social change

- creativity and adaptation

- improvisation and creativity

- creativity and behavior

- creativity, capitalism, and entrepreneurial culture

- prehistory vs. history in understanding creativity

- detailed case studies of creative action, as critiques or assessment of creativity

Please contact Timothy Scarlett by May 1st, 2012 to express interest.

Timothy Scarlett is Associate Professor of Archaeology at Michigan Technological University; Timothy’s contact details are here.